[cml_media_alt id='2148'] Risâla fî-l-hob wa fî'lm al-handasa[/cml_media_alt](“small treatise of love and geometry”)
For flute, clarinet, tenor sax (or euphonium ad lib.), violin & cello – 2003, ca. 14’
Billaudot publisher, score in sell: GB 7584 O

Premiere: 18 October 2003, Ensemble Modern, Festival Positionen, Bockenheimer Depot, Frankfurt.
advise for the rehearsal

I. Muqarnas[cml_media_alt id='2148'] Muqarnas[/cml_media_alt]

 

II. Murassa’[cml_media_alt id='2148'] Murasa'[/cml_media_alt]

Program note:[cml_media_alt id='2148'] Muqarnas in Alhambra in Grenada, Spain[/cml_media_alt]
This piece was commissioned by the BHF-Bank Fund for Ensemble Modern in Frankfurt.

“Risâla fî-l-hob wa fî ‘ilm al-handasa” is Arabic for “small treatise on love and geometry”. The titles of each movement evoke techniques of ornamentation in Islamic art.

The Muqarnas are geometric figures used in Arabic architecture to negotiate the transitions between rounded surfaces and flat decorations. They generally take the form of rich and complex decorations, imitating caves and stalactites on the ceilings of palaces or mosques. Examples of Muqarnas can be seen at the Alhambra in Granada or at the Capella Palatina in Palermo.

Murassa’ means “enameled, bejeweled, sequined,” etc.