2022
Jusqu’à peu, for four manuals organ played with four hands (and four feet) (ca. 18′)
2020
Avant-demain, for 6 car horns (ca. 8′)
2019
Chroniques déchantées, for accordion & piano (ca. 15′)
2018
Murmelt mein Blut, for Soprano & Piano (ca. 8′)
2017
Quand Friselda et son voisin…, canon for six voices (possibly amateurs) (ca. 5′)
2016
2015
Danse polyptote, version for accordion and alto saxophone (ca. 9’)
Als Gregor und Griselda, canon for six voices (possibly amateurs) (ca. 5′)
2014
Danse polyptote, version for accordion and clarinet (ca. 9’)
A tue-tête, for nine spatialized Windinstruments -without conductor- (ca. 15′)
2012
Danse polyptote, original version for accordion and cello (ca. 9’)
Towards the door we never opened, for saxophone quartet (ca.11’)
Après tout, for six singers and six musicians (ca. 45′)
2010
A peu près de, for 2 Trumpets (ca. 13’)
2008
Sonneries de Cantenac, for 4 Windinstruments with same register (free duration)
A propos, for flute, clarinet, violin, Cello & piano (ca. 21’)
Pour Orchestre, for big orchestra –unfinished- (ca. 17′)
2007
Lexèmes hirsutes & Anaphores, for cello solo (ca. 13′)
Querwüchsig, for 13 musicians (ca. 12′)
2006
Tre volti del volubile Ares, for wind orchestra -version 48 musicians- (ca. 23′)
Tre volti del volubile Ares, for wind orchestra -version 27 musiciens- (2003 red.2011, ca. 23′)
Où niche l’hibou?, pedagogical pieces for a teacher and his/her pupil (version for two clarinets)
2004
2003
(small treatise for love and geometrie) for flute, clarinet, tenor sax (or euphonium ad lib.), violin & cello (2003, ca.12’)2002
Soliloque sur (X, X, X et X), Commentaries from a computer about a misunderstood concert
2001
Hérédo-ribotes, for solo viola and 51 orchestra musicians (ca. 18′)
Où niche l’hibou?, pedagogical pieces for a teacher and his/her pupil (version for two flutes)
1999
Coïncidences, for ensemble of 35 musicians (ca. 11′)
Où niche l’hibou?, pedagogical pieces for a teacher and his/her pupil (version for two saxophons)
1998
Durch, in memoriam Gérard Grisey, for saxophone quartet (ca. 8′)
1997
L’ air d’ailleurs – Bicinium, for saxophone and tape (8’50)
1996
Les deux ampoules d’un sablier peu à peu se comprennent, for solo and harpe (amplified) (ca. 8’30)
Dr. B., for bariton and bassoon, (ca. 16′) – after the Chess Player by Stefan Zweig