• Solo instrument
• Duos
• Quartet
• 5 to 6 instruments
• Vocal ensemble
• Ensemble
• Electronics
• Orchester +

 

Solo instrument

L’ air d’ailleurs – Bicinium, for saxophone and tape (1997, 8’50)

Les deux ampoules d’un sablier peu à peu se comprennent, for solo and harpe (amplified) (1996, ca. 8’30)

Lexèmes hirsutes, for cello solo (2007, ca. 13′)

Duos

Dr. B., for bariton and bassoon, 1996, ca. 16′ – after the Chess Player by Stefan Zweig

A peu près de, for 2 Trumpets (2010, ca. 13’)

Danse polyptote, for accordion and Cello (2012, ca. 9’)

Danse polyptote, for accordion and clarinette (2014, ca. 9’)

Chroniques déchantées, for accordion & piano (2019, ca. 15′)

Anna-Maria Hoelscher: Acc., Florian Hoelscher: Piano, Festival Rainy Days, Luxembourg, 30 Nov. 2019.

Quartet

Durch, in memoriam Gérard Grisey, for saxophone quartet (1998, ca. 8′)

Sonneries de Cantenac, for 4 Windinstruments with same register (2008, free duration)

Towards the door we never opened, for saxophone quartet (2012, ca.11’)

5 to 6 instruments

A propos, for flute, clarinet, violin, Cello & piano (2008, ca. 21’)

(small treatise for love and geometrie) for flute, clarinet, tenor sax (or euphonium ad lib.), violin & cello (2003, ca.12’)

Nun hab’ ich nichts mehr, for soprano, clarinet, accordion, electric guitar and piano (2016, ca. 13’)

Nun hab ich nichts mehr, Susanne Leitz-Lorey, Soprano; Ensemble Ascolta, 5 Febr. 2017, Festival Eclat, Stuttgart, Germany.

Avant-demain, for 6 car horns (2020, ca. 8′)
Simulation without latency problem:

 

Vocal ensemble

Als Gregor and Griselda, canon for six voices (possibly amateurs) (2015, ca. 5′)

Ensemble

Querwüchsig, for 13 musicians (2007, ca. 12′)

Querwüchsig , Konzerthaus, Berlin, Germany, Ensemble United Berlin, cond.: Vladimir Jurowski, 25. Febr. 2016

Après tout, for six singers and six musicians (2012, ca. 45′)

A tue-tête, for nine spatialized Windinstruments -without conductor- (2014, 15′)

Electronics

Soliloque sur (X, X, X et X) Commentaries from a computer about a misunderstood concert (2002)

Orchestra +

Coïncidences, for ensemble of 35 musicians (1999, ca. 11′)

Hérédo-ribotes, for solo viola and 51 orchestra musicians (2001, ca. 18′)

Pour Orchestre, for big orchestra –unfinished- (2008, ca. 17′)

De l’art d’induire en erreur, for three singers, hair brushes, PVC tubes & symphonic orchestra (2020, ca. 35′)