- Solo instrument
L’ air d’ailleurs – Bicinium, for saxophone and tape (1997, 8’50)
Lexèmes hirsutes, for cello solo (2007, ca. 13′)
- Duos
Dr. B., for bariton and bassoon, 1996, ca. 16′ – after the Chess Player by Stefan Zweig
A peu près de, for 2 Trumpets (2010, ca. 13’)
Danse polyptote, for accordion and Cello (2012, ca. 9’)
Danse polyptote, for accordion and clarinette (2014, ca. 9’)
Chroniques déchantées, for accordion & piano (2019, ca. 15′)
- Quatuor
Durch, in memoriam Gérard Grisey, for saxophone quartet (1998, ca. 8′)
Sonneries de Cantenac, for 4 Windinstruments with same register (2008, free duration)
Towards the door we never opened, for saxophone quartet (2012, ca.11’)
- 5 to 6 instruments
A propos, for flute, clarinet, violin, Cello & piano (2008, ca. 21’)
![[cml_media_alt id='2148'] Risâla fî-l-hob wa fî'lm al-handasa[/cml_media_alt]](https://fabienlevy.net/wp-content/uploads/2014/08/traite.gif)
Nun hab ich nichts mehr, Susanne Leitz-Lorey, Soprano; Ensemble Ascolta, 5 Febr. 2017, Festival Eclat, Stuttgart, Germany.
Avant-demain, for 6 car horns (2020, ca. 8′)
- Vocal ensemble
Als Gregor and Griselda, canon for six voices (possibly amateurs) (2015, ca. 5′)
- Ensemble
Querwüchsig, for 13 musicians (2007, ca. 12′)
Querwüchsig , Konzerthaus, Berlin, Germany, Ensemble United Berlin, cond.: Vladimir Jurowski, 25. Febr. 2016
Après tout, for six singers and six musicians (2012, ca. 45′)
A tue-tête, for nine spatialized Windinstruments -without conductor- (2014, 15′)
- Electronics
Soliloque sur (X, X, X et X) Commentaries from a computer about a misunderstood concert (2002)
- Orchester +
Coïncidences, for ensemble of 35 musicians (1999, ca. 11′)
Hérédo-ribotes, for solo viola and 51 orchestra musicians (2001, ca. 18′)
Pour Orchestre, for big orchestra –unfinished- (2008, ca. 17′)